It's already nine o'clock
A woman with hair tossed
In the car of late starters
or a friend and her husband
I repeat what has become my mantra:
I'm late. I'm late.
Back in the office lights have clicked on,
© Penny Cagan
and the train stops in the tunnel
somewhere between 34th and 42nd streets,
and the motor is shut off
like a respirator exhaling silence.
Red signal ahead says the conductor
in a voice lucent as the Caribbean Sea,
and adds just a momentary delay,
and then you will be on your way.
A collective sigh is heard through the car.
into brittle red ringlets
is juggling make-up on her lap:
mascara first,
squirreled away in a burgundy case,
then eye-shadow, lipstick, blush.
A teenage boy with feet longer than he is tall
jabs words into a school notebook
with the force of a blunt pencil,
and the older man next to me,
his soft belly folded over his knees
and the name Robert stitched
into a dark blue shirt, sits
with his legs spread,
head down, snoring.
I wonder if they too are full of regret:
I recall the porter in my building
whose dark eyes plead
as I pass, to stop and chat,
and always I intend to
later,
waiting for me last week for an hour
in the lobby of an uptown museum
bundled tight in woolen coats.
blinds have been raised,
my boss shuffles papers
glancing toward my empty desk.
And then the train breathes again
with a long, deep inhalation,
the car lurches forward,
we are all on our way,
and yes,
all late.